Biography

A photograph like that is a single decision held still, and the work it advertises is the opposite: motion, timing, a scene built in real time. The register is boy and girl, the standard pairing of the mainstream market, and it is shot close, because the market buys faces and reactions as much as bodies. What a still cannot show is the part that decides whether a scene works: whether the performer can hold a rhythm, take a cue and stay present when the camera moves in. The picture is the advertisement. The scene is the job.

This page puts the listing and the photograph side by side: the two names, the register, the pose, the link to the profile where the work is listed. It is published independently, in six languages, and it does not claim to be her official site. The sentences stay close to the evidence. A name that sounds like a joke and a nude that refuses to smile can belong to the same career, and the point of a page like this is to hold them together without apologising for either. Readers who want the work list can follow the link.